Acquiring been casting out recordings since 2009, Gnod came on top of things Together with the beefy-but-spectral ecclesiastic dubgrind of 2011’s ‘INGNODWETRUST’ (next up with 2012’s ‘Science & Field’, a type of put up-industrial ‘Sketches of Spain’ for trumpet, drones, ironscrape guitar haze and indistinct woman declamations). They